Standard Materials
| #3030 Grid Cloth | A reinforced diffusion material. Ideal for tenting and large area diffusion. |
| #3032 Light Grid Cloth | Similar characteristics to Grid Cloth, but less dense. |
| #3034 1/4 Grid Cloth | Similar characteristics to Grid Cloth, but less dense then #3032. |
| #3060 Silent Grid Cloth | A reinforced, woven diffusion material. Similar properties to Grid Cloth (#3030), but quiet when used outdoors in windy conditions. |
| #3062 Silent Light Grid Cloth | A reinforced, woven diffusion material. Similar properties to Light Grid Cloth (#3032), but quiet when used outdoors in windy conditions. |
| #3064 Silent 1/4 Grid Cloth | A reinforced, woven diffusion material. Similar properties to 1/4 Grid Cloth (No. 3034), but quiet when used outdoors in windy conditions. |
| #3081 Full Straw Grid Cloth | Reinforced diffusion material that will lower Kelvin temperature of a light source. |
| #3082 1/2 Straw Grid Cloth | Reinforced diffusion material that will lower Kelvin temperature of a light source. |
| #3083 1/4 Straw Grid Cloth | Reinforced diffusion material that will lower Kelvin temperature of a light source. |
| #3071 Full Blue Grid Cloth | Reinforced diffusion material that will raise Kelvin temperature of a light source. |
| #3072 1/2 Blue Grid Cloth | Reinforced diffusion material that will raise Kelvin temperature of a light source. |
| #3073 1/4 Blue Grid Cloth | Reinforced diffusion material that will raise Kelvin temperature of a light source. |
| #3090 Dyed Grid Cloth Moonlight | A reinforced diffusion that, when placed in front of an HMI light, creates a soft moonlight effect. Also can be used on tungsten lights as a correction to match cool white fluorescent. |
| #3002 Soft Frost | A relatively dense diffuser that creates an even field of soft, “shadowless” light. Excellent for combining multiple lights into a single, large area source. |
| #3029 Silent Frost | A relatively dense diffuser that creates a smooth field of soft “shadowless” light. Excellent for frames and overheads. Particularly useful outdoors when wind causes a noise problem with other plastic diffusers. |
| #3014 Hilite | A moderate diffuser that offers high transmission with minimal colour temperature shift. Ideal for tenting or large area diffusion. |
| Cine Diffuser | A very popular soft diffusion ideal for butterflies and overheads. |
| #3840 Cinebounce | A durable, lightweight, waterproof fabric. White side offers a soft bounce surface, while black side is suitable as an opaque, light-blocking material. Flame retardant. |
| Windbag | A three pass acrylic coated white fabric used for blocking and bouncing light. |
| Griffolyn | A plastic, waterproof fabric similar to Cinebounce. White side offers a soft bounce surface, while black side is suitable as an opaque, light-blocking material. Flame retardant. |
| White China Silk | Softens and diffuses direct light. Creates a significant amount of ambient bounce. |
| White Artificial Silk | Great diffuser in wide width which allows the least possible seams. |
| Black Artificial Silk | Diffuses and softens direct light. Does not introduce ambient bounce. |
| 1/4 White Artificial Silk | Slightly diffuses direct light. Introduces ambient bounce produced by the white fabric. |
| 1/4 Black Artificial Silk | Diffuses and softens direct light. Does not introduce ambient bounce. |
| White Single Net | An excellent option to work with a seamless butterfly to reduce light intensity over half stop without altering the pattern or colour temperature. |
| White Double Net | Reduces slightly over 1 stop without altering the pattern or colour temperature. |
| Black Single Net | An excellent option to work with a seamless butterfly to reduce light intensity over ½ stop without altering the pattern or colour temperature. Black to avoid reflections. |
| Black Double Net | Reduction of light by over 1 stop without altering the pattern or colour temperature. |
| White Gobelin Scrim | Excellent for reducing glare and light. White to bounce light. |
| Grey Gobelin Scrim | Reduces glare and light. Grey colour is neutral to go unoticed in front of any object. |
| Black Gobelin Scrim | Reduces glare and light. Black to avoid light reflections. |
| Green Digital Fabric | The Rosco chroma green colour on a polyester substrate. |
| Blue Digital Fabric | The Rosco chroma blue colour on a polyester substrate. |
| Green Molton Chroma Key | The Rosco chroma green colour on a cotton substrate. |
| Blue Molton Chroma Key | The Rosco chroma blue colour on a cotton substrate. |
| Green Chroma Key Trevira | The Rosco chroma green colour on an inherently flame-retardant polyester substrate. |
| Blue Chroma Key Trevira | The Rosco chroma blue colour on an inherently flame-retardant polyester substrate. |
| Green Chroma Key | The Rosco chroma green colour on a flexible polyester substrate. |
| Blue Chroma Key | The Rosco chroma blue colour on a flexible polyester substrate. |
| Green/Blue Reversible Chroma Key | All in one. The Rosco Chroma Green and Chroma Blue colours in one unique panel. No colour interferences due to the in-between black molton layer. |
| Silver Reflector Lame | Bright and cold light reflection. |
| Gold Reflector Lame | Bright and warm light reflection. |
| Checkerboad Lame (Gold/Silver) | Bright and mixed cold/warm light reflection. |
| White Muslin | Ideal to bounce light or use it as white background. |
| Natural Muslin | Ideal to bounce light adding a warm tone or to do white balance. |
| Grey Muslin | The ideal TV cyclorama fabric. Also useful in shootings as a good projection surface. |
| White Molton | The European masking product. White to bounce light. |
| Grey Molton | The European masking product. Grey colour enables its use also as a projection surface. |
| Black Molton | The European masking product. Black to avoid light reflections. |
| Black Bolton | A blackout product with a velvet-like appearance. Black to avoid light reflections. |
| Black Commando Cloth/Duvetyne | The American masking product also known as Duvetyne. Black to avoid light reflections. |
| Camouflage Net | Ideal for creating shades and textures in film lighting. |

























































