Totem Pole Playhouse production of:

It Could Be Any One of Us
Written by: Alan Ayckborn
Directed by: Carl Schurr
Scenery by: James Fouchard
Lighting by: Michael Domue
Sound by: Stowe Nelson
Costumes by: Samantha Schroer

Front Light: R305, R38, R365
Top Light: R82
Cyc Colors: R39, R59, R125

Fire Effect used 2 Rosco Double Gobo Rotators
fire colors used custom built "frankenstein" colors using a variety of Rosco colors.

R99 high sides, with a R16 angle wash, downwash was R360, front light R53, backlight R355.
Show: In Arabia We'd All Be Kings
Director: Shannnon Ferrente
Lighting Designer: Nicholas Saiki
Scenic Designer: Glenn Barker
Sound Design: Sinan Zafar
UC Irvine Little Theater June 2011

From a recent production of 'Rent' by Dream Out Loud Productions at the Boston Center for the Arts.

The first photo features a gobo in R66 to highlight the freeze in the foreground, with a special upstage on the actress at the telephone in R119. The back wall is hit with a splash of R76.

This shot is from a benefit dinner at a museum in Baltimore, where we seized the opportunity to coordinate the lighting with a few of the vine/tree scenic elements and projected just-out-of-focus breakup patterns on the ceiling with R20 and R21 on the naturally-light-blonde-wood-slat ceiling.

Averie Bell as Masha and Justin Duncan as Vershinin in Chekhov's Three Sisters. Austin College, Sherman TX, April 2008 Directed By Kathleen Campbell Lighting Design by Katie Marchant Photo By Marcus Urban

R51, R60, R68 and candle light

A Moon for the Misbegotten
Lehigh University Department of Theatre
Dir: Pam Pepper
Set: Erica Hoelscher
Costumes: Katherine Perry

Used:
R83 Saturated blue with lav undertones for toplight and nighttime blue on the cyc
R30 warm sunrise
R67 daylight blue on cyc and upper morning sky for sunrise
R74 blue front toning
R368 blue side toning

For Boy Gets Girl I needed to make the audience feel uneasy in connection with the protagonist's feelings of being stalked. To achieve this I relied on a series of window gobos from multiple angles and Roscolux 3315 from the back and wrapped around the practical fluorescent fixtures. The slight green tint filled in shadows creating an disquieted atmosphere while still relating to the realistic elements within the scene.

Rosco Colors: RC3402, R60

These photos are of the Gooseberry Park Players of Moorhead, MN production of the world premier of "A Dzsungel Könyve (The Jungle Book)." Scenic Design by Dr. James Michael Miller, Lighting Design by Jordan William Green, Sound Design by Kent Kolstad, Directed by Jim Cermak.

For frontlight I used R360 Clearwater and R02 Bastard Amber. Clearwater provided the cool lighting I desired without as less green than R60. It has quickly become one of my favorite gel colors.

R 54 Special Lavender
R 01 Light Bastard Amber
Production "Turn of the Screw"
location: Onstage Atlanta
director: Rachel White
Lighting design: Michael Magursky