R67, R05, R02, R60
Outside Over There, directed by John Bechtold, at Double Edge Theater in Ashfield, MA. Photo of Katie Spurgin. Photo by Austin Federa
Colors Used:
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R67, R05, R02, R60
Outside Over There, directed by John Bechtold, at Double Edge Theater in Ashfield, MA. Photo of Katie Spurgin. Photo by Austin Federa
Colors Used:
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13 The Musical, The Main Street Players, Director:Tom Creator, Producer:Denis Lyzniak, Lighting Design:Marcelo Ferreira.13 The Musical is a fun musical that keeps a high level of energy throughout the show with its teenage cast. It has the occasional serious moments that really capture the audiences attention and thats where I was able to use the most color to set the moods. I used R58 as backlight to help set those moods. R34 played a big part in cheering up the mood for the group numbers while R02 provided front light.
Colors Used:
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Moscow Art Theatre (Too)
based in Moscow, Idaho
William Shakespeare's 'The Tempest'
Director: David Harlan
Light Designer: M. Zachary Brink
Rosco filters used:
R05, R66, R67, R23, R119, and R54
R67 was the perfect choice to paint our sky and establish the world of the play. With only 23 instruments, an abandoned grain silo, a free PC-based light controller program and a conveniently placed "sky-cyc" (which was originally intended to control sound), we delivered a truly unique theatrical experience.
Colors Used:
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For this production of A Wrinkle in Time I chose a warm/cool facelight approach with R333 on one side and R362 complementing on the other. A small frontlight with R51 at low levels helps to eliminate any shadowing. The second photo is lit entirely from below with R355 in striplights to create a dark, uncertain, cave-like atmosphere. Finally, from high side angles I used R3204 in gobo fixtures to obtain the cold angular starkness of the evil planet Camazotz.
Colors Used:
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The Wizard of Oz
Produced by: The Plant City Players
Lighting Design: Mike Wood
Scenic Design: Max Roberts, Jason Johnson
Costume Design: Kate Moranville
Directed by: Van Frost
Rosco colors used: R04, R55, R59, R80, R83, R26, R21, R90, R99, R303, R358
Colors Used:
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Howard W. Blake School of the Arts Presents: RENT - Lighting & Scenic Design by Mike Wood, Costume Design: Jared Porter, Directed by Seth Travaglino. Colors used: R02, R03, R04, R21, R321, R80, R83, R59, R60, R65, R39, R26, R58, R61, R34, R119, R113
Colors Used:
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R3220,R13,R3202,R78
Colors Used:
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This is from A Taste of Honey. I used R26 on the cyc, R370 for that little bit of teal, and R65 for my cool side light. Depicted in this photo is a dance sequence in which my director wanted to show the actors bodies and not their faces. The R26 on the cyc was used to convey the passion these characters felt for each other and the R370 and R65 were used to give some contrast to the red and help pull out the actors bodies from the cyc.
Colors Used:
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Clue
By Todd Westendorf, Directed by Tim Hagerman
April and May 2012
Bothell High School, Bothell, WA
Colors Used:
Down: R347
Side: R99
Colors Used:
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Staged reading of Far Away by Caryl Churchill. Directed by Rebecca Hewett at Texas A&M University. Lighting design by Katie Elder. Rosco colors used: R02, R09, R60, R73, R87.
Colors Used:
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