The Runner Stumbles by Stitt
Directed by Michael Kirkland
Scenic/Lighting/Projection design by Mike Burnett
Regent University Theatre - February 2011

Color magic sheet attached as photo 4.
Rosco colors used:
Back - R02
Front - R33 & R51
Breakups - R316 & R353

Basically, the director and I were attempting to create the mood of burning passion that is in the play. The play is in the

Rosco colors used: R318, R74, R325, R39, R26

Director: Daniel Jones
Sound Designer: Emily Mercer Witt
Costume Designer: Marta Williams
Lighting Designer: Emily Crochetiere

Photos by Marta Williams

"Erysichthon with Hunger & Narrator" - Metamorphoses by Mary Zimmerman
Greater Hartford Academy of the Arts
Director: Kim West
LD: Robyn E. Joyce
ALD: Hayden Cavallari

Colors Used: Front Light - R360 & R02; Top Light - R53; Rear Diagonals - R48 & R76601; "Hunger" Special 1 - R86, R78421, R55004; "Hunger Special 2 - R89, R55004, R79119

Show: Guys & Dolls, Georgetown Day High School
Director: Laura Rosberg
Tech Director: Will Ley
Choreographer: Maria Watson
Conductor: Ben Hutchens
Scenic Designers: Daniel Prosky & Mara Barry
Sound Designer: Will Letchinger
Lighting Designer: Henry Brown
FX Designer: Henry Brown
Costume Designers: Alison Kelin & Emma Duncan
Stage Manager: Isaac Stanley-Becker
House Manager: Cole Garcia
Production Managers: Caitlin DeLisser Ellen & Emmeline Clein

R39, R74, R18, R38, R53, R67, R58, R73, R26

BCHS annual Cabaret: Due to limited power constraints, I used several LED lights, but wherever possible I used tungsten PARs or Fresnels. Rosco gels gave me the freedom to use the exact colors I wanted. On the main performing area I used three PAR 16’s on each side gelled with R348, R370, and C3152 (Urban Vapor). There was also a single PAR 20 on each side with a split gel: R339 and R68. To light the piano I used a mini Fresnel with R127, a PAR pin spot gelled with R343, and a PAR 11 with R358. For a spotlight I used a robotic light gelled with R51.

Tennessee Williams Project

Tennessee Williams Project

Tennessee Williams Project

The King of the Golden River was set in a desert -Native American enviornment and the colors were chosen to evoke warm sand and sun, R16, 162, 09 152 with contrasting shadows in 61, 64 and 368.

"Buckethead"
2012 Arts & Communication Magnet Academy One Act Festival
Written by Mitchell Pratt
Directed by Hogan Fritz
Lighting Design by Syma Birenbaum
Lighting Assistance by Chynna Sing
Used a combination of R61, R361, R02 and R04. The primary cool used for mood setting was R361.