This production of Eurydice was done at the Houston High School For The Performing And Visual Arts. AS LIghting Designer, we worked to bring the audience in and make the show as intimate as possible.

The main colors used were:
Roscolux #357: Royal Lavender
Roscolux #302: Pale Bastard Amber
Roscolux #3202: Full Blue

and Elation LED Pars, which tied the show together beautifully.

The Runner Stumbles by Stitt
Directed by Michael Kirkland
Scenic/Lighting/Projection design by Mike Burnett
Regent University Theatre - February 2011

Color magic sheet attached as photo 4.
Rosco colors used:
Back - R02
Front - R33 & R51
Breakups - R316 & R353

Basically, the director and I were attempting to create the mood of burning passion that is in the play. The play is in the

Rosco colors used: R318, R74, R325, R39, R26

Director: Daniel Jones
Sound Designer: Emily Mercer Witt
Costume Designer: Marta Williams
Lighting Designer: Emily Crochetiere

Photos by Marta Williams

"Erysichthon with Hunger & Narrator" - Metamorphoses by Mary Zimmerman
Greater Hartford Academy of the Arts
Director: Kim West
LD: Robyn E. Joyce
ALD: Hayden Cavallari

Colors Used: Front Light - R360 & R02; Top Light - R53; Rear Diagonals - R48 & R76601; "Hunger" Special 1 - R86, R78421, R55004; "Hunger Special 2 - R89, R55004, R79119

Show: Guys & Dolls, Georgetown Day High School
Director: Laura Rosberg
Tech Director: Will Ley
Choreographer: Maria Watson
Conductor: Ben Hutchens
Scenic Designers: Daniel Prosky & Mara Barry
Sound Designer: Will Letchinger
Lighting Designer: Henry Brown
FX Designer: Henry Brown
Costume Designers: Alison Kelin & Emma Duncan
Stage Manager: Isaac Stanley-Becker
House Manager: Cole Garcia
Production Managers: Caitlin DeLisser Ellen & Emmeline Clein

R39, R74, R18, R38, R53, R67, R58, R73, R26

BCHS annual Cabaret: Due to limited power constraints, I used several LED lights, but wherever possible I used tungsten PARs or Fresnels. Rosco gels gave me the freedom to use the exact colors I wanted. On the main performing area I used three PAR 16’s on each side gelled with R348, R370, and C3152 (Urban Vapor). There was also a single PAR 20 on each side with a split gel: R339 and R68. To light the piano I used a mini Fresnel with R127, a PAR pin spot gelled with R343, and a PAR 11 with R358. For a spotlight I used a robotic light gelled with R51.

Tennessee Williams Project

Tennessee Williams Project

Tennessee Williams Project

The King of the Golden River was set in a desert -Native American enviornment and the colors were chosen to evoke warm sand and sun, R16, 162, 09 152 with contrasting shadows in 61, 64 and 368.