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Maeve

End  Act 1 - This is from The Two Orphans by Theresa Rebeck (2005).  This is the tableau from the End of Act 1.  Plot wise, someone had just been shot and the intention lighting-wise was to leave the audience with a cliff hanger so they wouldn't know exactly what happened and be enticed to come back for Act 2.

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Peyton

Atruhphy feat. R30 Light Salmon Pink Cue sequence to Atrophy by The Antlers Lighting Design by Peyton Bernard

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Jeffrey

"Smile" at Visitation Academy
Lighting Design by Jeff Behm

R339
R367
R57
R80

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Ellen

Production photo: Jekyll & Hyde, Bower City Theater Company, Lighting Designers: Jim Tropp & Andrew Brackett. Color used: R10

I recently stage managed a production of Jekyll & Hyde this last winter. A few scenes take place in an
insane asylum and the director wanted it to be very distinctive, so the audience would understand where
the scene was taking place. The use of R10 gave the set a sense of eeriness which worked very well for
the insane asylum.

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Matt

File 1 was an amber gell, with a custom gobo on the dance floor
File 2, 3, 4, and 5 are gobo's with no gells

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Jeff

Titanic the Musical - 2012 National Tour
Produced by Boebe Productions
Set Design: David Esler
Lighting Design: Jeff Greenberg
Director/Choreographer: Paula Hammons Sloan

Pic 1: Freeze at end of opening number uses R362 back light, R80 and E-Color 202 combination on cyc. Set breakups are E-color 174 with R77760 gobos.

Pic 2: Engine room scene DS with action on the bridge US. DS uses R318 back light with R26 down light, US uses E-color 202 high sides on the bridge, E-color 71 on cyc with E-color 174 and R77760 gobos for set texture.

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Eric

The rosco color used (that i know off the top of my head) was rosco #23. The prosuction was the Northport High School IB dance recital.

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Eric

The rosco color used (that i know off the top of my head) was rosco #23. The prosuction was the Northport High School IB dance recital.

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MANDAR

A Musical play, related to exhibit the followings of different traditions in a state and also bringing the emotional aspects in the worships and stories of God and their symbolic nature.

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Dom

Spring Awakening
El Paso Community College summer 2012

Directed By Keith Townsend
Set Design By Keith Townsend

Lighting Design By Dom Pagano

Rosco 80
Rosco 49
N/C

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