Color Resource Gallery

Erin

Because this show is set in a home, the artistic team wanted to portray a sense of warmth without taking away from the realism of the show itself. Using a diffused bastard amber as front lighting allows the audience to feel comfortable even with the crazy happenings in the show.

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Howell

126... A gift from the rosco gods

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Howell

126... A gift from the rosco gods

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Evan

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Evan

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Chris

Production: Into the Woods
Lighting Designer: Chris Uhl

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Chris

Production: Into the Woods
Lighting Designer: Chris Uhl

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kyle

R33
Small Scale Lighting Lab demo
Used for production of Little shop of Horrors
Greer Garson Theatre Center
Santa Fe NM
Directed by: Gail Springer

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Connor

R383 - Sapphire Blue

Dr. Horrible Sing Along Blog
Lighting Design: Connor Ward
Director: Ryan Hewlett

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Evan

For the most part I used LED fixtures for the overhead lighting but mixed in with that I had several down/side lights with R83 gels. The musical I designed was Stage 1 Theatre (Newark, CA)'s production of "Beauty and the Beast Jr.". I used the fixtures with the R83 during the more fun, sad, and sincere scenes in the castle like "Human Again", "Home", and "Beauty and the Beast". This picture is at the end of the very well known song "Be Our Guest".

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