This is the scene in "Bridge to Terabithia" when Jess and Leslie take their pet, Princess Terrian, to Terabithia for the first time. Every time they were in Terabithia I used mysterious side lighting.

The lighting for this show, Romeo and Juliet, was important for setting the tone and the setting for the scenes. In the funeral scene, toplight is used to create an eerie shadow on the actors' faces. This can be done because there is no talking. There is also a projection of a cross onto the cyc to put a religious overtone in the scene. In the night scenes, a moon box is used behind the cyc, and R60, no color blue is used to put the scene in nighttime. There is a spot on Juliet's balcony to make her stand out.

These photographs depict the scenes in the play Romeo and Juliet where the lighting helped make the scene. For example, in the funeral scene, there is a lot of top light, making shadows on the actors' faces, in addition to the cross projected on the cyc. In the night scenes, a moon box was used in addition to heavy use of R60, no color blue, to put the scene at nighttime.

These photographs depict the scenes in the play Romeo and Juliet where the lighting helped make the scene. For example, in the funeral scene, there is a lot of top light, making shadows on the actors' faces, in addition to the cross projected on the cyc. In the night scenes, a moon box was used in addition to heavy use of R60, no color blue, to put the scene at nighttime.

Written by Federico Garcia Lorca, Translated, adapted, and directed by Robert Eric Shoemaker, Lighting design by Brett Pepowski, set design by Rebecca Segall

Written by Federico Garcia Lorca, Translated, adapted, and directed by Robert Eric Shoemaker, Lighting design by Brett Pepowski, set design by Rebecca Segall

Der 1.1.2013 ist ein wiederkehrender Event im Kultur- und Kongresshaus in Aarau. Es werden immer ca. 900 Personen zum Stadt-Apéro erwartet. Im Foyer ist Barbetrieb, im grossen Saal Bankett und Tanz, im Saal 2 ist Tanzen angesagt.

The first photo is from Act 2 scene 2, right after the 'sex' scene. Many elements are used in this scene such as 3 practicals (the 2 wall sconces and the 1 chandelier) and 3 light boxes. The general idea for this scene was to provide the needed light for the actors along with adding a bit of saturation in the gold to help the scenic, and costume design stand out.

Centerstage of Lake Forest's Summer 2013 Musical, "Oliver!"
Lighting and Projections: Alex Zylka
Set: Matthew Bleck

12 x ETC Selador Vivid-R 11"
8 x ETC Selador Paletta 11"

Photo 1: Entire set lit with full light with colors Photo 2: Set from preshow, behind scrim. Living room, lit dim R02, Kitchen lit dim R02, R80, R35, R17, bedroom lit R80 and R02 dim over Ralphie's desk Photo 3: Kitchen lit with R25, R02, R27 mix; Bedroom, lit R80 and R02 dim over Ralphie's dssk. Photo 4: The blind scene, all Ralphie's dream was R27 mixed with dim R02 and R17, slight R80 for tone. Photo 5: The leg lamp scene, even though the lamp isn't that bright, hitting the mom with R17 flame from a box boom, and catwalk, gave an illusion of the lamp really glowing.