I used several colors (of course...)
R21, R376, R51, and R65. I did cheat on Rosco a little and used some colors from our stock... Lee 52, and a Gam 380

The show was "Pussycat" Written by Troy Deutsch, Directed by Sandy Shotwell. Performed at the University of Utah's "Studio 115" theater. I was the Lighting Designer for the production.

I do have a special request though... I know I didn't USE 325, Henna Sky. But if I could get a mug with that on it. It would affirm your position as my favorites :D

The David A. Straz Jr. Center for the Performing Arts Presents

"'SWonderful: The New Gershwin Musical"
The Jaeb Theatre, Tampa FL

Directed by Tripp Hampton
Lighting by Mike Wood
Scenery by Lewis Folden
Costumes by Barbara Anderson

R02, R05, R26, R348, R41, R55, R60, R80, R83, R383

I used R355 in my texture system while also using Rosco Gobo R71043 (pebbles) for the BFAII Dance Concert at Webster University. The Senior class in the dance department choreographed pieces for a Fall 2012 show. I was the lighting designer. I mostly used this system for a piece that included mermaids, so I used the pebbles and R355 to create a cool environment.

I used R355 in my texture system while also using Rosco Gobo R71043 (pebbles) for the BFAII Dance Concert at Webster University. The Senior class in the dance department choreographed pieces for a Fall 2012 show. I was the lighting designer. I mostly used this system for a piece that included mermaids, so I used the pebbles and R355 to create a cool environment.

Urinetown at the Generic Theatre. Directed by Brendan Hoyle, Lighting Design by B Butterbaugh, Scenic Design by Shane K. Stelly, Costume Design by Ryan Ward, photos taken by Jenn Watson. R15, R60, R70, R83, and R95

R82 used to create a cold, night time mood. Used for graveyard scene.

Production: Sleepy Hollow | a musical ghost story

Director: Scott Keys
Lighting Designer: Nick Jones
ALD/Programmers: Carlyle Styer & Hinter Jones
Technical Director: Ken Wiegers

R82 used to create a cold, night time mood. Used for graveyard scene.

Production: Sleepy Hollow | a musical ghost story

Director: Scott Keys
Lighting Designer: Nick Jones
ALD/Programmers: Carlyle Styer & Hinter Jones
Technical Director: Ken Wiegers

November 2012 run of "The Skin of Our Teeth" by Thorton Wilder at Lake Forest High School. Directed by Barbara Papp, set design by Allegra Levin, lighting direction by Alex Zylka, sound direction by Jonathan Flusser.

Arts and Communication Magnet Academy's production of Great Expectations (based off of the book by Charles Dickens)
Directed By David Sikking
Lighting Design by Carly Shick
R20 Medium Amber used to create the older dreary lighting effect for the period and indoors depending on the intensity
R62 to give some lighter outdoor feeling that wasn't overly saturated

#83 Medium blue
#23 Orange
#50 Mauve
#21 Golden Ambar
#60 No color Blue
Compañia Estatal de Danza Contemporanea Nucleodanza.
Coreografia: Fransisaco Torres
Dirección Artistica Guadalupe Orellana
Equipo de Divulgacion del Centro de las Artes San Luis Potosí Centenario