Tampa Bay's "Shoes At The Door" Modern Dance Company. Summer 2011 Concert: "From The Floor Up."

This piece, "Afloat" was choreographed and danced by Brooke Bissell, Danielle Boe, and Sadie Lehmker. Lighting Design by Jeff Boe. Master Electrician, Kristen Geisler. Stage Manager, Ivan Cano.

"Afloat": Buoyed by each other, the dancers remain connected while exploring individual movements and ensemble interactions. Tether lines keep the dancers from drifting past the possibility of reconnection.

Les Misérables (Washington International School, 2009). Directed by Michael J. Barber, Lighting Design by Scott K. Tusing.

At the Barricade, Roscolux #84 with Roscolux #103.

The Next Fairy Tale (Celebration Theatre, 2011), composed and written by Brian Pugach and directed by Michael A. Shepperd; lighting design by Matthew Brian Denman, set design by Victoria Proffit, costume design by Raffel Sarabia. Rosco's wide range of saturated colors (with some support from Surpise and Blush Pinks) helped create the dark fantasy feeling of the production. Rosco colors used: R12, R318, R25, R333, R339, R349, R51, R56, R66, R68, R72, R79, R83, and R88.

Barbarous Nights
Carnegie Mellon, School of Drama 2010-2011
Adapted and Directed by Sam Creely
Scenery by Michael Epstein
Costumes by Megan Spatz
Lighting by Andrew Leitch

Rosco Colors used: R385, R3202, R367, R16, R35, R112, R119, R64, R385, R50, R42, R52

Production: The Madwoman of Chaillot
Direction: Tim Altmeyer
Lighting Design: Ryan Bible
Set Design: Anne Tulley
Costume Design: Lee Martin

Colors Used: R74 R318 R321

Lighting Design, The Cherry Orchard by: Anton Chekov, Drake University, Directed by: Clive Elliott, Spring 2011
Rosco color and gobos used: R365, R119, R120, R121, R122, R02, R08, R16, R13, R18, R53, R54, R55, R60, R62, R77288, R77109

"Rabbit Hole" 2010 Texas Tech University. Lighting Designer: Andrea Bilkey. Asst LD: Jacob Schenk. Scenic Designer: Vicki Ayers. Costume Designer: Roselaine Fox Hamilton. Director: Bruce Hermann. To illustrate the moments of "time marches on" through this story of life and loss, the lighting never went away. Typical interior moments were designed to be even and "real" and as if the audience were in the house with them.

The Lion, The Witch, and The Wardrobe
Dramatized by Joseph Robinette, Book by C.S. Lewis
Directed by Tim Hagerman, Timbercrest Theatre Company, Woodinville, WA

Front Light: R373, this worked really well to provide a cooler light in the wintery forest scenes but when dimmed, provided a good white for interior scenes

Back Light: R52

Washes: R21, R74, R324 Mixing R21 and R74, a blue and amber, worked to create a lavendar color, while each color could be used independently for certain scenes

"Les Misérables" - Preble High School - 2009
Director: Kevin Flogel
Lighting Designer: Max Schweiner

R60, No Color Blue
R68, Parry Sky Blue
R80, Primary Blue
R51, Surprise Pink
R119, Light Hamburg Frost
Gobo R76611, Lightweave

this picture is from the Curry College Dance show. Lighting Designer: Josh Danzig
the gel used in this picture is R80