This is a production photo from a production of "Spike Heels" by Theresa Rebeck at Texas Christian University. Director Claire Parker, Scenic Designer Brianna Bonilla, Lighting Designer Jim Rogers. For this design i chose R09, R52,R351,R43 and R16. Each light had R119 diffusion added. I chose these colors to convey a soft look in the apartment while allowing the characters some depth using variations of the warm and cool tones as front and rear lighting.

The Trip to Bountiful by Horton Foote produced by After School Productions. Director: Ben Vawter, Scenic/Lighting Designer: Samuel Vawter, Props Designer: Beth Chrisman. The majority of the lighting was washes of R#02 (Bastard Amber), R#53 (Pale Lavender) and R#384 (Midnight Blue). I used two 77138 (3x4 Window) steel gobos in the opening scene to create the look of an apartment at night, though I cannot seem to find a photo of it.

Thoroughly Modern Millie presented by the Alan B. Shepard High School music department. Directed by Michael Fallon. Lighting Design by Sean Pieroth. The show begins as Millie moves to New York in order to start a new life as a modern woman (Photo #1 R63, R08, R121 and gobo R77563 with gel R10). Eventually her adventures lead her to a speakeasy (Photo #2 R63, R08, and R120). Unfortunately, these adventures also land Millie and her love interest Jimmy in jail (Photo #3 R121 and gobo 77980 with gel R63).

RUR (Rossums Universal Robots) was designed using R351, R02, R60, R316, R81 and some American DJ LED pars.

Scenic Designer: Anne Sherer
Director: Kelley Holley
Props: Katie Burkhart
Costume Designer: Allison Hill

Caligula: R3208, R26 and Rosco X Effects Projector
Cabaret: R90
Eurydice: R80
Urinetown: R80

Production photo: Anne Frank & Me, Linden Hall School mainstage, lighting design: Marta Williams

Colors used: R15

This particular scene was a dream sequence set in a cattle car on the way to a concentration camp. We wanted to convey the dismal mood of both emotional and physical sickness the people inside were to be feeling. Concentrating this color within a the rectangle of the car kept the space feeling confined and hopeless without using four actual walls.

This is Jesus Christ Superstar at Oklahoma City University. Lighting Design By: Jim Hutchison and Jeremy Allen Fisher. We used Rosco R39 & R77 for side light,R22 and R68 for back light,and R317 and R3204 for the floor mounted low back light systems.

Photos Taken by: JeremyAllenFisher

From "For Whom the Southern Belle Tolls," Georgetown Day School Theater. Director: Jim Mahady. TD: Will Ley. Colors used: R02, R03, R74, R81, R19, R51.

The Importance of Being Earnest
The Taft School, Watertown, CT
Lighting and Set Designer: David Kievit
Key Electrician: Blake Joblin

Used R-02 for warms, added a nice "sun" feel, R-51 for some tones, and I believe R-355 for a nice violet.

Images from my production of A Funny Thing Happened on the Way To The Forum.

Credits:

Director: Bruce Levine
Producer: Maria Randazzo
Lighting Design: Parker Conzone
Scenic Design: Daniel Going
Set Design: Thomas Callahan, Parker Conzone, Mike Bloom, Bruce Levine

Image 1: Roscolux #4790: CalColor 90 Magenta

Image 2: Roscolux #16: Light Amber

Image 3: Roscolux #100: Frost

Image 4: Roscolux #384: Midnight Blue