Production Credits: "Civilization" by Jason Grote, Directed by Seth Bockley, Scenery and Projections by Laura Jellinek, Costumes by Jessica Pabst, Sound by Shane Rettig, Choreography by Dan Safer.

The Rosco Color used in this photo was Roscolux #72: Azure Blue.

I used this color and a single top light special for a dream scene.

The director wanted to make sure this dream was much different from the rest of the reality of the performance so, we settled on this color and it really helped with the erie dream that we wanted to portray.

Show: Down The Road
Written By: Lee Blessing
Directed By: Steven Gefroh
Lighting Design: Salvatore Nicosia
Costume Design: Andrew Wittakamper
Performed at: Suffolk County Community College

For my college's performance of The Shape of Things, written by Neil LaBute, the Roscolux gel I used for this scene (the park) was R66, R65+R119, R80+R104, R02, R313+R119 and R373+R97. The scene was supposed to be a cool autumn afternoon so I wanted to use the R65, R66 and R80 to emphasize that while using the R02 for definition and the R313 as my source of sunlight; the R373 was used as front light. The play was staged in a more avant garde style in that everything was white and there was very few props and scenery, not to mention the director wanting to heavily implement isolation.

This photo was from a small black box production of Lucky Stiff at Gettysburg College, produced by the Student Musical Theatre Club and directed by Becky Spurr. The photo shows the nightmare scene in which the main character experiences an undead dance number. We didn't want to use the typical zombie greens so instead we a combination of R348, R26, and R53 to give the scene an unusually eery feel.

R33; Brookwood High School's Production of Godspell Dir. Ken Lindahl

Chicago-Director: C. Martin, Set Design: J. Gourley, LIghting Design: J. Zucker, Technical Director: G. Johnson
Batboy The Musical-Director: G. Springer, Set Design & Technical Director: G. Johnson, LIghting Design: S. Haroldson,
Who's Afraid of Virginia Woolf?-Dirctor: S. Sobel, Set Design: D. Delu, Lighting Design & Technical Direction: G. Johnson
Tooth of Crime-Director: V. Talmadge, Set Design & Technical Direction: G. Johnson, Lighting Design: L. Grendle

For The Wagon Wheel Theatre's Regional Premier of Disney's Tarzan, we wanted to create a realistic jungle through scenery and lighting. This posed quite a challenge given that The Wagon Wheel Theatre is an 860 arena style theatre. To accomplish this goal I used a mix of R386 and R389 with various gobo breakups projected through haze to create a "jungle" of light from the overhead fixtures. Additionally I used a mix of R4490 and R4460 with break ups from the floor mounted fixtures to add a sense of height and depth to the scenery.

Production: Closer by Carnegie Mellon University's Scotch'n'Soda Theatre, February 2010. Photo by Guillermo Gomez. Lighting Design by William Macrae. Colors used: R39, R12, R47, R66, R08.

Two Rooms, Lehigh University
Lighting Design: Dani Deutschmann
Director: Marc Rein
Set Design: Hannah Cochran

Colors used:
R3204, R09, R52, R81

R339 on the SR high side. R79 on the SL high side.
Production credits unknown.
VIA Festival @ Carnegie Mellon University's CFA Kresge Theater