4.48 Psychosis By Sarah Kane
Produced By Southeastern Louisiana University's Department of Fine and Performing
Directed By James Winter
Scenic Design By Steve Schepker
Lighting Design By Benjamin Norman
Venue: Vonnie Bordon Theatre - Hammond, LA
ROSCO Color Used: R10, R16, R17, R18, R24, R26, R37, R41, R57, R369, R80, R89, R90, R120, R121, R122

R381
Peter Pan
Tinkerbell is a combination of a colorizer with colorwave glass.

Production of Nine The Musical at Tacoma Musical Playhouse in Tacoma, WA. A lot of R80 and R18 was used. as well as quite a bit of diffusion gel.

watermelon boats: Lighting Designer/ Master electrcian

R83
R375
R62

2,280 Pints!
Produced by: University of Florida, February 2011
Artistic Director: Neta Pulvermacher
Lighting & Scenic Design: Bryan Lussier
Choreography: Neta Pulvermacher, Robin Brown, Colette Kreeger, Matt Reeves, Rebecca Warner
Rosco products used:
Gel: R119, R53, R302, R99
Gobos: R78227, 78219, 78234, R77228, R77747, R78023, R78420, R78421

Colours used in this picture: R04,R19,R21,R332,R50,R62,R64,R68

Vivid colour choices were important to the production, in support of the over the top style and surrealism of the play. Less saturated colours were isolated to the actors, while bright colours were used for the silhouetting backlight, and from the front and sides to compliment the unusual material of the set.

From a production of "The Ash Girl" by Timberlake Wertenbaker
Director: Tamara Carroll
Scenic Design: Cameron McFee
Lighting Design: Alana Jacoby

Rosco gels used: R382, R86, R90, R91
Rosco gobs used: 77119, 77805

Production Photo: Here Lies at Boston Playwrights Theatre, 2010. Lighting Design: Anna Katarina Adamowicz. Colors used: R 51, R54, R95, R22. These are the souls of the world of the dead, and telling their stories of life sparks a hope and hunger for peace that they reach toward. (Photo by Mathias Goldstein)

Evil Dead the Musical
Ephrata Performing Arts Center
Director: Ed Fernandez
Scenic Design: Mike Rhoads
Lighting Design: Jeff Cusano

A concert in our school's theater, using the basic plot we had to deal with at the time. Rosco 27 gels were used along with R36 side lights to create a red wash similar the the album cover of Queens of the Stone Age's "Songs for the Deaf", as the band was covering select tracks from it.
Production credits:
Lighting and Sound: Stephen O'Kelly
Stage Manager: Ron Kramer
Rail Captain: Greg Johnson