Evil Dead the Musical
Ephrata Performing Arts Center
Director: Ed Fernandez
Scenic Design: Mike Rhoads
Lighting Design: Jeff Cusano

A concert in our school's theater, using the basic plot we had to deal with at the time. Rosco 27 gels were used along with R36 side lights to create a red wash similar the the album cover of Queens of the Stone Age's "Songs for the Deaf", as the band was covering select tracks from it.
Production credits:
Lighting and Sound: Stephen O'Kelly
Stage Manager: Ron Kramer
Rail Captain: Greg Johnson

A Production of Chicago

Roscolux #2008: Storaro Indigo
Roscolux #26: Light Red

SAS Dance Club, Showcase 2011

Picture One: Seussical the Musical, 18' x 40' backdrop, using Rosco Off-Broadway: Sky Blue, Pthalo Green, Lemon Yellow, Emerald Green, and Ultramarine Blue.

Picture Two: The Music Man, Madison Library set piece, using Rosco Off-Broadway: Fire Red, Burnt Umber, Purple, Emerald Green, Orange, Lemon Yellow, Payne's Grey, and Van Dyke Brown.

Picture Three: You Can't Take It With You, stationary set, using Rosco Off-Broadway: Orange, Burnt Umber, Burnt Sienna, Golden Yellow, Lemon Yellow, Fire Red, Van Dyke Brown, and Raw Umber.

Roscolux #80: Primary Blue
SAS production of Grease 2011, Singapore

A Streetcar Named Desire, DramaTech Theatre, Georgia Institute of Technology, Atlanta, GA

R60, R360, R02, R42

Director: Melissa Foulger

Picture 1:

R318, fantastic character. Our Dancer on the picture (Bo Madvig) almost looked like a devil, but without overdoing a red color.

Picture 2:

R72, a very strange moody color. Made the day.

Show: Malpais (by Recoil Performance Group)
Lighting Design: Soren Knud
Scenic Design: Recoil Performance
Video Design: Jonas Jongejan
Choreography: Tina Tarpgaard

These photo's were from the DANCE 2010 University of Oregon Faculty Concert. This piece was choreographed by Shannon Mockli and was set to the Balenescu Quartet and two arias from the Magic Flute, including Arie 14 by the Queen of the Night, "Night Queens". In this piece, I used R62 in my sidelight to create a stark and shadow reliant atmosphere. Once the costumes were designed: white and highly textured, we discussed the desire for emphasizing the "whiteness with the shadowness".

In Ithaca College's production of How I Learned to Drive, I wanted to create the feeling of an early morning (just after dawn) fishing trip. I used Rosco 33 with a leafy breakup template to evoke the morning light and create a softer emotional quality to the scene.