A Production of Chicago

Roscolux #2008: Storaro Indigo
Roscolux #26: Light Red

SAS Dance Club, Showcase 2011

Picture One: Seussical the Musical, 18' x 40' backdrop, using Rosco Off-Broadway: Sky Blue, Pthalo Green, Lemon Yellow, Emerald Green, and Ultramarine Blue.

Picture Two: The Music Man, Madison Library set piece, using Rosco Off-Broadway: Fire Red, Burnt Umber, Purple, Emerald Green, Orange, Lemon Yellow, Payne's Grey, and Van Dyke Brown.

Picture Three: You Can't Take It With You, stationary set, using Rosco Off-Broadway: Orange, Burnt Umber, Burnt Sienna, Golden Yellow, Lemon Yellow, Fire Red, Van Dyke Brown, and Raw Umber.

Roscolux #80: Primary Blue
SAS production of Grease 2011, Singapore

A Streetcar Named Desire, DramaTech Theatre, Georgia Institute of Technology, Atlanta, GA

R60, R360, R02, R42

Director: Melissa Foulger

Picture 1:

R318, fantastic character. Our Dancer on the picture (Bo Madvig) almost looked like a devil, but without overdoing a red color.

Picture 2:

R72, a very strange moody color. Made the day.

Show: Malpais (by Recoil Performance Group)
Lighting Design: Soren Knud
Scenic Design: Recoil Performance
Video Design: Jonas Jongejan
Choreography: Tina Tarpgaard

These photo's were from the DANCE 2010 University of Oregon Faculty Concert. This piece was choreographed by Shannon Mockli and was set to the Balenescu Quartet and two arias from the Magic Flute, including Arie 14 by the Queen of the Night, "Night Queens". In this piece, I used R62 in my sidelight to create a stark and shadow reliant atmosphere. Once the costumes were designed: white and highly textured, we discussed the desire for emphasizing the "whiteness with the shadowness".

In Ithaca College's production of How I Learned to Drive, I wanted to create the feeling of an early morning (just after dawn) fishing trip. I used Rosco 33 with a leafy breakup template to evoke the morning light and create a softer emotional quality to the scene.

Rosco 52, 11, 79, 27, 90 and 62.

These photos are from the 2011 Zimbabwean Music Festival, held in Corvallis, OR. Light Design: Michael Beardsworth, Board Operators: John Hatten, Alex Weeks, Conrad Rice. The combination of R62 and R11 allowed me to make skin tones pop out from the black background while maintaining a good white balance for video purposes. The more saturated colors were used for backlight to make performer shapes punch out of the background.

Stuck, an original play by Neal Haven. Was produced in 2010 by the In Tandem Theatre Company at the Tenth Street Theatre in Milwaukee Wi. Lighting design by Louis Kreienkamp. Rosco colors used R50, R316, R55, R09. Ian is a constantly travelling business professor and in this scene in act two he finally confronts Gillian, a seductress hired by Ian's wife, about the fact that he knows what Gillian is up to. Meanwhile Charlie (the wise bartender) is back-lit with R50 and R09 to mimic the scene in the foreground.