The production team chose to create a dream-space-meets-reality vibe for the play by working with a base pallette of cool colors. From there, the introduction of contrast would more clearly define new, and possibly real, spaces that could easily disappear.

2011-12 Princeton Triangle Show
Lighting Design: Alex Mannix and Alex Kasdin
ALD: Eric Falcon

R54, R119, R80, R89, R18, R26, R83, R27, R90

Noises off
Director: Nick Ciavarella
Lighting Designer: Manuel Da Silva
Technical Director: Gabriella Padgent

R-80
R-51
R-98
R-27
R-60
R-34

Kettering Operatic societies Production of Beauty and the Beast. 2011

Supergel #69: Brilliant Blue

Lighting design by James Dainty @ the lighthouse theatre Kettering

My venue is a roadhouse for intimate musical acts and many times we are left to design the lighting and scenic elements for the performance. Our soft goods are navy blue, so I chose R80 to saturate the drape color and I chose R02 and R18 as front light and down light to add contrast for the background and to "warm up" the wood textures of the scenic elements. As an added layering effect, I projected Rosco ColorWaves Ripple-Red on the scene.
Lighting & Scenic Design - Todd Birdsong

Production of Romeo and Juliet. Directed by: Mindy Clarke. Set by: Sean Powers. Lighting Design by: Austin Powers. Photography by: Jeff Locke. Boca Raton Community High School, Thespian Troupe #2564. Winner, Best Lighting Design, 2011 South Florida Cappie Awards

Guilford High School Theatre Department "On the Verge or the Geography of Yearning" Lighting Designer: Alyssa Eilbott, Director: Cara Mulqueen Rosco Colors Used: R54, R57, R3208, R02

Charlotte Catholic High School's production of the Brothers Grimm Spectactuathon. Lighting Designer: Dylan Shay. Rosco colors used: E088 E029 E166 E101 E117

Lord of the Flies
Wakefield Theatre Company

Photo taken by Zam Photography

Used: R325

Near West Theatre "Rent: Student Edition" R54