This was a production of Carnival at Wichita State University.
Lighting designer: Lisa Hendrix
This rosco colors I used were R01, R03, R67, R358, R17, R64, R124, and R357
Colors Used:
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This was a production of Carnival at Wichita State University.
Lighting designer: Lisa Hendrix
This rosco colors I used were R01, R03, R67, R358, R17, R64, R124, and R357
Colors Used:
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Metamorphosis, produced by Minneapolis Community and Technical College, Minneapolis, Minnesota. Director: Michael Roberson; Lighting Design: Kathy A. Stewart; Set Design: Wesley Meirick; Costume Design: Barb Portinga; Composer/Sound Design: James Oestereich. Photo credit: Kathy A. Stewart.
Colors Used:
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This is a production of "Wit" by Margaret Edson that I designed my senior year. I took my first trip to Barbizon to buy all the gels, including R114, which I used to simulate a number of different hospital machines. The crosses were done with R66, giving us an awesome cool harsh feel that also worked really nicely in other scenes.
Colors Used:
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In this dance about the merging of the dancing styles of hip hop and ballet I used the gel color Rosco 58. I used this color in my design for this dance because I wanted both to bring out the red in the costumes without creating an overbearing red effect and also wanted to represent the merging of ballet and hip hop and felt that a violet was the best color to represent it as it is both energetic like hip hop and dignified like ballet.
Production credits:
Show: Student Danceworks 2011 at Cedar Crest College
Dance: The Break Through, coreographed by Chelsea Buffaloe
Colors Used:
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This scene from Acton Boxborough Regional High School's Production of Roald Dahl's The Witches utilized intense colors to create a surreal feeling for this scene. R03 made most of the frontlight, along with an R54 sidelight to cool the scene. The fog is lit with R61 at a high intensity. Directed by Linda Potter. Technical Director was Brenden Hearn.
Colors Used:
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When taking on designing Secret Garden, I was given a unique challenge of lighting a majority of the show very mysteriously and creepily; the lighting had to mirror the sorrow and dullness that all of the characters had. Then, throughout the production, the joy and adaptability of the youth characters transform the mood of the musical and inspire the happy ending.
Colors Used:
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R54 high sides.
Encore Repertory Company
Woonsocket, RI
Director/Scenic Designer: Eric Desnoyers
Lighting Designer: Nate Wheatley
Colors Used:
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R02, R74, R393, 77642 Gobo,
Colors Used:
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Colors Used:
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Note: This is a re-submittal, with additional information, per the request of Tyrell Foster. I have already received a mug.
4.48 Psychosis, by Sarah Kane
Viterbo University Theatre, Feb 3-5, 2011
Directed by David Gardiner
Choreographed by Nikki Balsamo
Lighting Design: Joe Holdman
Scenic Design: Joe Holdman
Costume Design: Rachel Wahl
Rosco colors used: R3204, R08, R317, R21, R26, R34, R47, R60, R362, R67, R70, R73, R79, R388, R92, R99, R119
Rosco Gobos Used: ‘Squares’
Photos credit: Joe Holdman and Theresa Smerud
Colors Used:
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