Pictures are of Howard W. Blake high school's production Seussical from September 22-24 2011 Director:Seth Travaglino. LD/Tech Director: Mike Wood. Written by Lynn Ahrens & Stephen Flaherty colors used: R43,R389,R68

The Devil and Billy Markham by Shel Silverstein
Directed by Jenni Meador
Featuring Brandon Zelman as the Storyteller
Light Design by Emily Tabachuk
Presented at Fordham University at Lincoln Center

Rosco Colors used: R26, R56, R3208

For this scene, I used R17 to evoke the sweaty, hot feeling of Vietnam. The color really brought out the stagnant quality that I was looking for, and set the scene well. Through the color alone, I was able to communicate the feeling of heat.

Pictured: Patrick Fleury, Set Design: Eileen Lalley, Costume Design: Daria Tavana, Light Design: Gifford Williams.

The Mayur show at Carnegie Mellon University is a series of cultural dances. A full spectrum of Rosco gels; including R22, R26, R39, and R80; were used to match any music and mood.
Photos by zpao, shared with permission.

This dance piece was about being trapped inside your own nightmare mind, and surrealism, I felt, was key. R21 back light, R58 SR side, R370 SL side. The beautiful vibrant R58 harmonized with the blue-green of R370 creating a rich dynamic. The richness of R21 helped in setting warmth throughout the whole dance show.

Rhapsody - Repertory Dance Theatre, Salem State University Mainstage Theatre. lighting designer: Adam Clark
colors used: R21, R58, R370, R33

Photo 1) Our lighting dummy in the light lab - named fred. R39 Skeleton Exotic Sangria

Photo 2) Shakespeare in the Park, Boston Common. R89 Moss Green

Photo 3) Godspell Jr. - Auditorium Theatre, Rochester, NY - R02 Bastard Amber

R#124, R#125

Les Miserables, Susan E Wagner High School, Staten Island 2011

This is a production photo from a production of "Spike Heels" by Theresa Rebeck at Texas Christian University. Director Claire Parker, Scenic Designer Brianna Bonilla, Lighting Designer Jim Rogers. For this design i chose R09, R52,R351,R43 and R16. Each light had R119 diffusion added. I chose these colors to convey a soft look in the apartment while allowing the characters some depth using variations of the warm and cool tones as front and rear lighting.