As a dip and drape prop creation project, I re-used a Rosco super saturated paint can and created a still action of paint exploding upwards and outwards of the can.
For the particular colour, I've used Rosco tough prime which helps maintain the durability needed when dealing with a pig poo mixture and then sealed it using Rosco clear high gloss colour coat.

These are the openings to act I and II to the play Is He Dead? The less saturated colored picture with the blue walls is the general lighting for act II.

This is the light with a stain glass window gobo that I used to portray and highlight the medieval aspects of a show called "The Mouse that Roared". I used the gels of R33, R321, and R47 frankensteined together to create a sunrise/set affect that would filter through a "window" in a castle.

Photos of our high school production of all shook up

This dynamic dance number takes place in a secret hideout buried within the sewer system. The sewer effect is achieved with the use of R90 front light. Meanwhile, R22 and R20 are in a side light system to highlight the actors' movements during the dance number.

PC: Andrew Nelles

By the Bog of Cats is a magical realism adaptation of Medea set in a bog in modern rural Ireland. The first act takes place between just before dawn and late morning, the second act is an interior wedding, and the third act takes place entirely during a fire. Creating a world that could hold both ghosts and a fire that continued in the background of an entire act was the greatest challenge of this design, and I created distinct color palettes for each. The ghost world was in R71 (sides/high sides), R80 (toplight), and the opening look of the play featured a shin with R61+R119.

I worked in tangent with the director to create a more romantic warm form of the northern lights. Although most scenes were outside, there were a handful that were inside. We kept the

This dance piece was inspired by the actress Gena Rowlands. The choreographer wanted to explore these three alter egos he believed she had and her relationships with people in addition to the stripping of identity. Light was used to create a mood for each of the "scenes" and explore the evolution of Gena as a person until we get to the final photo, with the shirtless man covered in wigs, where we loose all identity completely, thus going to a more stark whiter look.

Viola and the Captain discover the city of New Orleans (Illyria) after being shipwrecked on the shore.

In this piece I created a line of light that dancers stood in for a dramatic moment of looking into a mirror. I used R11, R388, and R92 to gradate from yellow to teal, making the composition more dynamic and uneasy.