Production photos from the musical "Bring it On"

Stills from "This is how we played it" Pink Cyc (mixed), Blue and Red top light. NC Front.

Praise and Worship

We had translucent walls that we kept opaque with lighting from the front (E731) and some texture (GAM 708). At the end of the play, we opened up the space with brilliant colors (R89, R368, R370) pulsing through the walls.

This was my look for the Brooks and Dunn song "Nothin' Bout You", featuring mostly R39, Skelton Exotic Sangria. I really love the deep, rich purple that this color gave me for this song, and spec'ed it as part of my touring package. R73 Peacock Blue is the front wash here.

We used R4415 with some leaf gobos to create an outside effect. The combination of the two created a scene that looked like it was under the trees outside.

This production utilized R99 as a template top light, providing both visuals on the floor, as well as in the air with haze. R4630 and R351 were box boom colors, with R333 as the front light. R318 serves as template on the screens on each side, and G840 was the cool sidelight color, with R38 as the warm. These versatile colors, when combined with LEDs for cyc tops and bottom, (and scrollers/moving lights)allowed for a very wide variety of lighting looks, fulfilling the need to have the environment deteriorate.

A silhouette of the characters watching the tent burn down in Hartford Connecticut.

I took some photos during load in and q2q, didnt really take much during the actual rehearsal and show run. We used mostly rosco gels for this production (R05, R08, R12, R18, R2003, R132, R24, R35, R4215 (so useful!), R348, R51, R73, R86, and so much more I could list). Also made a franken-gel out of a bunch of R42 spare cuts to fit a 10" frame of a parcan, that was a fun time!

R48 is my favourite gel to use, it is absolutely stunning :) If you could make the mug R348 you'd make my day~

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