Rosco Color correction was used in front and side lights to tone the actors. R99 was used in the backlights and R89 in the top lights to create the look of high pressure sodium lamps.

This is a rock history concert presented by the social studies department of a high school. This concert allows the audience and students to learn about the major historical events of a decade, accompanied by its musical influences in this annual production. It also allows the students of the school to perform the music and requires extreme authenticity of their portrayed musician for them to live out their rock star dreams!

Different Scene from the Musical Assassin put on at East Carolina University

Mornings of April and May, by Pedro Calderon de la Barca
It is a delicious "cloak and dagger" comedy located in Madrid. The characters are a group of young entangled in love affairs, dangers and deceptions that take place during celebrations of spring, which is traditionally the season of love.
More info at http://donlucero.com/index.php/manianas_ab

Mornings of April and May, by Pedro Calderon de la Barca
It is a delicious "cloak and dagger" comedy located in Madrid. The characters are a group of young entangled in love affairs, dangers and deceptions that take place during celebrations of spring, which is traditionally the season of love.

These photos show the two forms the witch takes in the production. The witch transforms on stage, so the lighting plays a key role in making the transformation appear as smoothly as possible from the audience. I used a saturated straw color directly from above it casts deep shadows, which when combined with small amounts of fog, helped facilitate the transformation. However, more importantly, it only partially restricts visibility; the audience can still see the witch transforming, but details such as her nose coming off and her taking off her cloak were not obvious to the audience.

SOL Celebration, SeaWorld San Antonios Summer Nights finale show

Different night and day scenes in he show all shook up

To create that warm country feel, I used R02 for most of my stage wash. In Judd's shack, I lit it with R99 to set get a warm, but grungy feel. We spent a bit of time making the sunset on the back of the wall using LED pars. They had to be gelled with R104 to make them work better as cyc lights. I always default to the Rosco color picker on my Martin M1 for LED colors.

All photos by Ian Douglas
Sticky Majesty included a simultaneous duet and trio occupying two spaces - a "forest" and a "desert"
1 - R2003 plus GAM templates evoked a sickly scattered and broken light in the forest.
2 - I used R3208 from all directions to create a bright white space - hot and arid like the desert.
3 - Templates in R10 shot across the floor for Molly Lieber's excruciating slow and beautiful cross.