Our class of 7 graduate students and one underclassmen spent the semester working on scenic projects.
The first group project was of Jimmy Hendrix, the last group project was the Steamboat. In between we worked on bas reliefs, 3-D modeling, and woodgraining.

We use Broadway paints of all colors.

Event lighting design for Columbia University.

Our cyc was used extensively to help transition between days and nights as Shaharazad told her stories to the king. Rich oranges, bright blues, and deep purples all helped create slow sunrises, sunsets, daytimes, and evenings. We also used a rich amber and a deep blue to light acting areas with contrast.

Our cyc was used extensively to help transition between days and nights as Shaharazad told her stories to the king. Rich oranges, bright blues, and deep purples all helped create slow sunrises, sunsets, daytimes, and evenings. We also used a rich amber and a deep blue to light acting areas with contrast.

Two distinctly different moments and scenes from the play.

These photos are from our Les Miserables production and show 2 scenes from the musical.

I used R325 to create the blood moon during this otherworldly seance orgy scene for Caryl Churchill's Cloud 9. I also utilized Gam 872 and Gam 880 to create a very cold night time glow to the actors. I utilized some Rosco Ambers in strip lights hung on booms to add depth to the space and create an African sunset environment that the actors got to play in.

Photos are from the show Finding Wonderland. Multiple gel's were used for warm and cool washes, as well as neutral density in the foot lights to lower intensity on audience side.

The first was a trapeze act for our original show. The second was a section of fantasy, what it was like for the main character to be at a formal party for her father

This photo is the end of the show when the ghosts of Wendla and Moritz come to the graveyard and sing to the mourning Melchior.