The house is lit for night, with blues streaming in from a window and screen door in the kitchen, as well as the orange of a streetlight entering from an implied window on the fourth wall.
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The house is lit for night, with blues streaming in from a window and screen door in the kitchen, as well as the orange of a streetlight entering from an implied window on the fourth wall.
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Taking place over the course of Christmas Eve in a secluded home in the Southern California desert, both the scenic and lighting designs strive for naturalism. Lavenders and amber toplight provided a natural warmth, with the addition of blue top- and backlights indicating a shift to night and an increasing coolness in the text of the play. The moments surrounding the climax of the play introduced a saturate blue shatter template highlighting the papers in the air, and remaining visible for a beat before fading to black.
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The interior of the house is lit with just a hint of cool sides in R3206 + R119, backs with with no color R119, and fronts in R3204+R119. When the back walls burst open, cold back diagonals in R3220 shine through the set, accenting the haze and snow and transporting us to the evening winter garden.
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These photos were taken during the disco fantasy scene. I used a series of macros and strobes to complete the look.
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The cast is cheering at the end of the play where the conflict of the play becomes resolved.
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The cast members of the show Forever Plaid, are introducing themselves to the audience.
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Photos from Old Saybrook High School's production of Les Miserables
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In conversations with the director we decided we wanted a subtle unnatural feeling to permeate most of the scenes, the show was also staged as though being performed by a troupe from the time period of the show. So I choose to put Gaslight Green in the front light to create that unnatural sensation and also as a nod to the stage lighting of the time. There is also Medium Blue in the toplight of the second photo and a diagonal back system with Light bastard amber in the third photo. The backlight in the first photo has no gel in it.
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The god Dionysus appears in his true form to the city of Thebes after seeking revenge and retribution.
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The actors surround the tree which is lit by eight par 16's at the base and some front light.
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