The first photo is of the preshow look for my Junior year lighting design assignment of "La Guerra" where I took advantage of the wholly red set that was designed by accenting with R26.
The second photo is on the transition looks where I used R80 in the head highs of the dance booms to accomplish a contrast between the red on the floor and back wall and the actors.

This production of Fathers and Sons had two sets, an exterior and an interior. The mood of the exterior scenes were heavily driven by the time of day. The first picture is the sunrise look which was faded into with a 20 minute cue from 'night' as people entered the theatre. The next two photos are from a scene that took place at sunset. The whole scene was a transition from late afternoon to twilight to night. The last two photos are of the second set which was interior.

Lady Macbeth after removing the daggers.

Hecate casting spells .

DramaTech Theatre presents another edition of VarietyTech/Let's Try This!, with the theme of Resolution.

This is the entry of Fruma Sarah in Teyve's Dream. I used a Red CYC and Gaslight Green downlight with template breakups to create a nightmarish look.

I used a lot of Deep Amber (R22) to emphasis the Havana Night Club and give it an upbeat, Cuban feel. I also included a lot of Middle Rose (R44) and other gels in that range to add some girlish charm to the Hot Box. We used a lot of practicals to outline the "Hot Box" name which brightened the feel of the club. The girls stood out which was the look we ultimately wanted.

Night Scene with Alice and Tony
Family Dinner

bad pic but this was a show I did in a local church using rosco gell

The scene occurs during the evening, as we hear the story of the sad prince and his bird. The cool blue light signifies this exterior night scene.

Student work (thrown together in a week due to designer shortage) on Gruesome Playground Injuries.